Edgard Aubry

(Châtelet 1880 - Bouffioulx 1943)

To collect Edgard Aubry is to collect a universe: the opulence of colour and texture in his glazes makes every piece a fascinating landscape – his greens now moss and pine, then watery iridescent; a whole range of earth tones; the yellow of desert sand and the brown-orange of rust and amber; all sorts of pebble and slate gray; the dark blue of night skies and deep water; and then that fascinating tinge of pink … His pieces do not have that smooth commercial perfection seen in some Guerin items. They are the characteristic produce of Edgard Aubry’s uncompromising artistry.






See Fauconnier & Migeot, Sel et feu [1995], for signatures p.123; also S. Pignolet (dir.), Au gré du grès. De l'art nouveau à l'art déco [2008]; J. Fauconnier, in Ville de Chatelet. Quinzaine Culturelle 1974, p.19-20 + i + ii-iv; see also the catalogue Quand le génie de l’Art féconde la terre de Bouffioulx [2020], red. Y. De Leeuw.